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John Abraham in the upcoming Shootout at Wadala But Coppola saw beyond the bare outlines of the plot and recognised that there was a sweeping family saga lurking within the book.
#SHOOTOUT AT WADALA REAL STORY MOVIE#
When the studio hired Coppola to make a movie from the book, they expected an action quickie. The Mario Puzo novel on which the movie is based was the typical potboiler of its era. The story of the first Godfather has been told again and again.
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But nobody ever shot a realistic underworld movie till Francis Ford Coppola made the first Godfather in 1972. The crime film is an old Hollywood genre. There is al- ways a seminal moment in the history of any kind of cinema when the old conventions give way to the new. With The Godfather, Coppola saw beyond the bare outlines of the plot and recognised there was a sweeping family saga
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There is a trend towards an operatic style of underworld moviesīollywood directors are examining the history of India’s own underworld and docu-menting it on celluloid THE TRIUMVIRATE: (top to bottom) In Hollywood, Francis Ford Coppola, Brian De Palma and Martin Scorsese lent personal touches to create a new breed of underworld films THE MOBSTER EFFECT: In Bollywood, Ram Gopal Varma raised the bar with Satya Sanjay Gupta (below) was meticulous with Shootout At LokhandwalaĮPIC PORTRAYALS: Al Pacino in Scarface (left) Marlon Brando in The Godfather (left below) Robert De Niro in The Godfather, Part II Ajay Devgan in Once upon a time in Mumbai